Learn the notes a baritone sings, from A2 to A4, how the voice sounds, where it shifts gears and which songs suit it. Then sing low to high to see your baritone match. Free, no sign-up, in your browser.
A2–A4, 110–440 Hz
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Baritone range check
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Quick reference
Baritone notes and frequencies at a glance
The typical baritone vocal range in notes and Hz, and the parts of it that set a baritone apart from a tenor or a bass.
Part of the voice
Notes
Frequency
Why it matters
Typical baritone range
A2 – A4
110 – 440 Hz
The classical reference range
Also often printed
G2 – G4
98 – 392 Hz
Some textbooks set it a step lower
Comfortable middle (tessitura)
about C3 – E4
131 – 330 Hz
Where baritone melodies mostly sit
Upper break (passaggio)
about D4 – Eb4
294 – 311 Hz
Where the voice has to shift gears
Usual choir part (SATB)
Bass line, about F2 – D4
87 – 294 Hz
Or Baritone / Bass 1 in TTBB
Signature high notes
F4 – G4
349 – 392 Hz
Where big baritone arias peak
Notes use scientific pitch notation: C4 is middle C and A4 is 440 Hz. Untrained baritones often reach about E4 at first; the top extends with training, often with falsetto above it.
How it works
Am I a baritone? Check in three steps
The range test above measures the notes. These steps help it hear your real, comfortable voice and not just your extremes.
01
Step 1
Warm up in your middle voice
Hum or lip-trill gently for two or three minutes around your speaking pitch, then slide a little higher and lower. A cold baritone voice often sounds grainy or thin at both ends, which makes the range look narrower than it is.
02
Step 2
Sing slowly from low to high
Press Start and sing "ah" from a comfortable low note, stepping up and holding each note for about 2 seconds. Skip growled bottom notes and squeaked top notes: brief extremes are not counted, and they are not part of your working range anyway.
03
Step 3
Read your baritone match
You see what share of the baritone range (A2–A4) you cover, your closest voice type and how much you overlap tenor and bass. Choose Male under Compare as to rank only the male types. A near tie points to a neighboring voice.
Highlights
Three signs you are a baritone
Most men who sing are baritones. These clues help you confirm it, or notice that you lean toward tenor or bass.
C3F3 – E4C5
Your middle voice carries the song
Baritones sound their best between about C3 and E4. If melodies there feel rich and easy, while long phrases around G4 tire you and notes below A2 fade into a rumble, your comfortable zone (tessitura) fits the baritone pattern.
Your break comes around D4
Slide up slowly on "ah" and notice where your voice wants to lighten or flip. For most baritones that happens near D4 to Eb4, roughly a minor third below a tenor's break and a little above a bass's, which sits around middle C.
A warm, rounded baritone voice
A baritone voice usually sounds darker than a tenor and lighter than a bass, with most of its warmth around middle C. Speaking pitch is a weak clue on its own, so trust how you sound when you sing, not how deep you talk.
Quick reference
Types of baritone: lyric, dramatic and bass-baritone
Opera divides baritones by weight and color. The labels help you choose songs even if you never sing a note of opera.
Baritone type
Sound
Upper break (approx.)
Classic roles
Lyric baritone
Light, warm, agile
E4
Papageno (The Magic Flute)
Cavalier baritone (Kavalierbariton)
Elegant, medium weight
Eb4
Don Giovanni
Verdi baritone
Dark yet high-reaching
Eb4
Rigoletto, Germont (La traviata)
Dramatic baritone
Big, dark, powerful
D4
Scarpia (Tosca), Iago (Otello)
Bass-baritone
Bass depth, baritone top
Db4
Wotan (The Ring), the Dutchman
Break points are approximate figures from voice pedagogy (after Richard Miller) and vary by a semitone or two between singers. Cavalier and Verdi baritone are traditional casting labels rather than separate voice types.
01
Famous baritones, roles and songs
Baritones are the voice of the American songbook. Frank Sinatra, Dean Martin, Elvis Presley and Michael Bublé are all widely described as baritones, and their best-known songs sit in the warm middle of the male voice, rarely far above D4. Josh Groban brought a lyric baritone sound to pop, with soaring phrases that still rest on a baritone middle.
In opera the baritone is often the father, the rival or the villain, while the tenor gets the girl. Lyric baritones sing Papageno and Rossini's Figaro, whose "Largo al factotum" is one of the best-known arias ever written. Verdi saved some of his greatest music for baritone, from Rigoletto to Germont, and Dmitri Hvorostovsky and Thomas Hampson are celebrated modern baritones.
On Broadway the baritone is often the leading man: Curly in Oklahoma!, Billy Bigelow in Carousel and Javert in Les Misérables are classic baritone roles. Many current shows also cast a high baritone, or baritenor, who can mix up to A4. If that sounds like you, compare both voices in tenor vs baritone.
Standards: "Fly Me to the Moon" and "My Way" (Frank Sinatra), "Feeling Good" (Michael Bublé's version).
Pop and rock: "Can't Help Falling in Love" (Elvis Presley), "You Raise Me Up" (Josh Groban).
Stage: "Oh, What a Beautiful Mornin'" (Oklahoma!), "Stars" (Les Misérables).
Classical: "Largo al factotum" (Rossini), plus Schubert and Schumann songs in medium-low keys.
02
How to train a baritone voice
Baritones have the opposite problem to tenors: their most comfortable notes are already in place, so the work goes into the two ends. At the top, the goal is to carry a full but not heavy sound through D4 to F4 and beyond. At the bottom, it is to keep A2 and G2 resonant instead of pressed or growled. Both come from balance, not force.
Practice 15 to 20 minutes a day, mostly in the comfortable middle, with short visits to the edges. Stop if your throat feels tight or scratchy. Retest every few weeks: gaining a couple of semitones at the top over a few months is a good sign of progress. For more on building the top, see how to sing higher.
Lip trills and straw work: they let you glide through the D4–F4 passage without pushing, the safest way to build a baritone top.
Descending scales from the middle: start around D4 and step down to your lowest steady note, keeping the sound buzzy and easy.
Narrower vowels up high: above D4, let "ah" lean toward "uh" or "aw" so the throat stays open.
Speech-to-song warm-ups: count aloud on a relaxed pitch, then sing the same words on one note to link speaking and singing.
Last updated October 21, 2026
Use cases
Songs and settings that suit a baritone
As the most common male voice, baritones have plenty of music written right in their range.
Choir bass section
In SATB choirs most baritones sing the bass line, roughly F2 to D4. High baritones sometimes cover tenor; in TTBB arrangements, look for the Baritone or Bass 1 part.
Barbershop baritone
The barbershop baritone fills the chord between the lead and the bass, often crossing above the melody. It suits singers with a good ear and a flexible middle.
Jazz and standards
Crooner songs and the Great American Songbook sit in the baritone middle, which is why baritones sound relaxed and intimate singing them.
Karaoke key picks
If a tenor hit feels strained, lower it two to four semitones so the chorus peaks near E4. Songs by baritones usually fit you as written.
FAQ
Baritone vocal range questions
Quick answers about baritone notes, how the voice sounds and how to tell if you are one.
Still have a question?
The quickest way to find out is to try it yourself. It only takes a minute.
The baritone vocal range is roughly A2 to A4, about 110 to 440 Hz, between the bass and the tenor. Some textbooks print it a step lower, G2 to G4. Baritone songs mostly sit between about C3 and E4, and the voice shifts gears around D4 to Eb4. Untrained baritones often reach about E4 at first.
Male voices vary along a spectrum, and most of them fall in the middle of it. A comfortable singing range of roughly A2 to E4, which is typical for untrained men, matches the baritone profile, while voices that sit clearly higher (tenor) or clearly lower (bass) are less common.
Look at comfort and your break, not just your top note. If long phrases around F4 to G4 tire you and your voice shifts near D4 to Eb4, you are probably a baritone. If those notes feel easy and the break comes near F4 to G4, you may be a tenor. Tenor vs baritone covers the signs in detail.
Check your lowest steady note and where your voice feels richest. Basses keep a full, resonant sound down to about E2 and feel most at home below middle C; baritones usually fade below A2 or G2 and enjoy singing up to E4. See baritone vs bass for a side-by-side comparison.
Yes. The test at the top of this page works as a baritone range test: sing from low to high and it shows what share of the baritone range (A2–A4) you cover, your closest voice type and singers with a similar range. It is free, needs no sign-up and runs in your browser. To check how in tune you sing, try the singing test.
A baritone voice usually sounds warm, full and rounded, darker than a tenor and lighter than a bass. It is strongest around middle C and the notes just below it. Think of the relaxed middle of a Frank Sinatra ballad or the ringing climax of a Verdi aria: the same voice type, with very different weight.
Yes. Trained baritones sing up to G4 and A4 in full voice, and many add falsetto or a light mix above that. The difference is how long they can stay up there: a baritone can hit F4 or G4 at a climax but usually would not sit there for a whole song the way a tenor can. Check your top with the highest note test.
No. Pitch detection runs in your browser, so your voice is analyzed on your own device and discarded when you leave the page. You do not need an account. If you have no microphone, you can still pick your lowest and highest notes on the on-screen keyboard.